1. |
Afraid to Die
02:12
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2. |
Hitchcock Blonde
02:24
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People think they're the star of the movie
But they don't know it's really you
Audience only gets the picture
From your unique point of view
Every problem you're the solution
Every evil you're at the root
You're the reason we all wanna look good
And you're the hole in this gray flannel suit
Everyone is falling in love with you
Giant apes are breaking their bonds
You're dialogue's by Preston Sturges
And you're hotter than a Hitchcock Blonde
The chilling score is playing behind you
And there's a gun in your hand
Do you really want to hurt me?
Or is this part of the plan?
Everyone is falling in love with you
Giant apes are breaking their bonds
You're dialogue's by Preston Sturges
And you're hotter than a Hitchcock Blonde
We're all hanging on your every word
Even if it's all a lie
I can take anything you say to me
As long as you don't say goodbye
Everyone is falling in love with you
Giant apes are breaking their bonds
You're dialogue's by Preston Sturges
And you're hotter than a Hitchcock Blonde
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3. |
Nashville
04:39
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4. |
Roses on the Stand
02:16
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5. |
Hurricane
02:35
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She comes out of nowhere like an act of god
Eyes sparking like a lightening rod
The weatherman says you better look out
Batten down the hatches she’s a whirlwind
A shelter in place kind of girlfriend
If you don’t want to fall in love you better look out
She’s a force of nature, she’s a hurricane
I’m just a poor little paper plane
She throws me for a loop through the wind and rain
My baby she hits me like a hurricane
Radar track her doing 95
Nothing in her path make it out alive
All those island nations they better look out
A room is a mess when she flies into it
A town isn’t safe when she blows into it
All those trailer parks they better look out
She’s a force of nature, she’s a hurricane
I’m just a poor little paper plane
She throws me for a loop through the wind and rain
My baby she hits me like a hurricane
Solo
She’s a force of nature, she’s a hurricane
I’m just a poor little paper plane
She throws me for a loop through the wind and rain
My baby she hits me like a hurricane
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6. |
Cannot Get to You
03:15
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7. |
Doomsday Clock
03:56
|
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It’s 1984 again
The one with Reagan and the one that’s Orwellian
Might as well cut funding to the arts
There’s no room for beauty in our hateful hearts
It’s all over now, baby blue
When they’re telling us the truth ain’t true
We’re all headed straight for our doom
Our imagined of freedom is gone gone gone to soon
Let’s pretend everything is fine
Just pretend it’s not the End of Times
Might as well burn it to the ground
Put up a pipeline and shout some science down
It’s all over now, baby blue
When they’re telling us the truth ain’t true
We’re all headed straight for our doom
Our imagined freedom is gone to soon
How this is happening I’m still not clear
Factories like tombstones, speeches full of fear
Might as well buy some stuff on credit
The future’s gone, you won’t regret it
It’s all over now, baby blue
When they’re telling us the truth ain’t true
We’re all headed straight for our doom
Our dream of freedom is gone to soon
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8. |
Kronos
02:54
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9. |
||||
If you want to be a boy or a girl
Go ahead and be a Roy or a Pearl
If you want to love a woman or man
Go ahead and love a Herman or Fran
Whatever blows your skirt up baby
It’s O-O-OK by me
Whatever blows your skirt up baby
It’s O-O-OK by me
You can be a rocker or be a mod
You can be a mocker when it comes to god
Go to church and lament your sins
Or say it’s all a sham like my atheist friend
Whatever blows your skirt up baby
It’s O-O-OK by me
Whatever blows your skirt up baby
It’s O-O-OK by me
They’re selling our record at the record shop
You can call it crap or power-pop
You can be too cool for rock’n’roll
But moving and grooving satisfies my soul
Whatever blows your skirt up baby
It’s O-O-OK by me
Whatever blows your skirt up baby
It’s O-O-OK by me
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10. |
Alone
04:33
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The Stoplight Roses Atlanta, Georgia
The Stoplight Roses are a rock'n'roll band from Atlanta, Georgia. Taking their name from the Nick Lowe song, and with a nod to The Jesus of Cool's vintage style of songwriting, they combine equal measures garage, power-pop, indie rock, and country.
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